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2011_0219 : Dirty Guitar Jam

2008_0911 : Pissnitz

I remem­ber say­ing good­bye to the house in one last visit, where the idea was to carry all I could before they demol­ished it. I arrived at the new condo early in the day, before my par­ents, and I remem­ber being with a girl. She was the key holder to the build­ing, and let me […]

2008_0909 : Hindleybrady

…My father told me to watch closely. A woman on the sec­ond floor walked out onto her bal­cony and Father pushed a but­ton and she was sud­denly squashed onto her rail­ing, slumped over, trapped by this enor­mous black thing. It was a device attached to the build­ing on the third floor, and resem­bled a 10-foot […]

2008_0909 : Curtailed

Fragments of playfully jazzy hip-hop, colliding with a descending, feel-good bass line… Something I wrote quickly, while the sun disappeared behind the clouds that afternoon…

2008_0907 : Puss

A work in progress which confirmed my interest in writing some deeper, heavier, repetitively “circling” motifs, which could be given a later use in urgent espionage drama. “…Agent Reese flies propulsively through the air, catapulting past dozens of sniper rifles as he zones in upon his target, a thin, waif-like young thing who cuddles her […]

2006_0527 : Siennapods (Mix 1)

2006_0527 : Siennapods (Mix 1)

Another Krautrock influenced piece, replete with trippy Tony Levin stick-slapping effect… The chugging rhythm guitar makes it more proggy than I’d originally anticipated and took it in another direction… Buy / Download SIENNAPODS – $0.99  

2005_0615 : Above The Treetops (Mix 1)

This one (intentionally) has “guitar-track” written all over it, but the demo was left bare — just bass and drums — while I demo’ed it in my DJ sets and played with the timing, the feel and the myriad of ideas that worked in cross-section. I officially declared this, at one point, as the official […]

1994_0612 : Musical Anamorphosis No. 1 (in Am)

(1991) Composer : Eric Scott This piece was derived from my work “Parc de Sceaux” (which appears on day 031 “50 Minutes From Paris”). Arranged here for six pianos, the piece was also lengthened from the original 2:30 to a record 20:30 (scaling the tempo down to approximately 8 beats per minute). “Musical Anamorphosis” refers […]