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2013_0511 : Nosedive Into The Future (Mix 2)

An ambient ethereal studio collaboration touted as Cowboy Joe vs. Julie Android which produced some dark and elegaic drums, bass and piano. I created the track in one afternoon, while pursuing an experiment to apply some ambient shimmers to some

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2013_0511 : Nosedive Into The Future (Mix 2)

An ambient ethereal studio collaboration touted as Cowboy Joe vs. Julie Android which produced some dark and elegaic drums, bass and piano. I created the track in one afternoon, while pursuing an experiment to apply some ambient shimmers to some

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2008_0911 : Pissnitz

I remem­ber say­ing good­bye to the house in one last visit, where the idea was to carry all I could before they demol­ished it. I arrived at the new condo early in the day, before my par­ents, and I remem­ber

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2008_0911 : Pissnitz

I remem­ber say­ing good­bye to the house in one last visit, where the idea was to carry all I could before they demol­ished it. I arrived at the new condo early in the day, before my par­ents, and I remem­ber

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2008_0909 : Hindleybrady

…My father told me to watch closely. A woman on the sec­ond floor walked out onto her bal­cony and Father pushed a but­ton and she was sud­denly squashed onto her rail­ing, slumped over, trapped by this enor­mous black thing. It

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2008_0909 : Hindleybrady

…My father told me to watch closely. A woman on the sec­ond floor walked out onto her bal­cony and Father pushed a but­ton and she was sud­denly squashed onto her rail­ing, slumped over, trapped by this enor­mous black thing. It

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2008_0907 : Puss

A work in progress which confirmed my interest in writing some deeper, heavier, repetitively “circling” motifs, which could be given a later use in urgent espionage drama. “…Agent Reese flies propulsively through the air, catapulting past dozens of sniper rifles

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2008_0907 : Puss

A work in progress which confirmed my interest in writing some deeper, heavier, repetitively “circling” motifs, which could be given a later use in urgent espionage drama. “…Agent Reese flies propulsively through the air, catapulting past dozens of sniper rifles

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2006_0527 : Siennapods (Mix 1)

Another Krautrock influenced piece, replete with trippy Tony Levin stick-slapping effect… The chugging rhythm guitar makes it more proggy than I’d originally anticipated and took it in another direction… Buy / Download SIENNAPODS – $0.99  

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2006_0527 : Siennapods (Mix 1)

Another Krautrock influenced piece, replete with trippy Tony Levin stick-slapping effect… The chugging rhythm guitar makes it more proggy than I’d originally anticipated and took it in another direction… Buy / Download SIENNAPODS – $0.99  

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1994_0624 : Clair De Lunatic

(1994) Composer : Eric Scott This work emerged from the straightforward development of a musical theme, voiced through six MIDI electronic keyboards: the six voices all speak in unison before branching off into their separate rhythms and melodies– finally reuniting

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1994_0624 : Clair De Lunatic

(1994) Composer : Eric Scott This work emerged from the straightforward development of a musical theme, voiced through six MIDI electronic keyboards: the six voices all speak in unison before branching off into their separate rhythms and melodies– finally reuniting

/ One Comment

1994_0617 : Music From 3 Hats (in F)

(1988) Composer : Eric Scott This, my first work of process music, was a piece in which a set of chance operations determined the structure of the musical phrase, including the arrangement of the instruments to be used. The decisions

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1994_0612 : Musical Anamorphosis No. 1 (in Am)

(1991) Composer : Eric Scott This piece was derived from my work “Parc de Sceaux” (which appears on day 031 “50 Minutes From Paris”). Arranged here for six pianos, the piece was also lengthened from the original 2:30 to a

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1994_0612 : Musical Anamorphosis No. 1 (in Am)

(1991) Composer : Eric Scott This piece was derived from my work “Parc de Sceaux” (which appears on day 031 “50 Minutes From Paris”). Arranged here for six pianos, the piece was also lengthened from the original 2:30 to a

/ One Comment

1993_0818 : Un Moment, S.V.P.

I’ve always heard a high tenor voice singing a melodic lead over the top of this (perhaps in the style that Belgian composer Wim Mertens does so well)… It’s always crossed (a bit too dangerously) into Supertramp-kind of territory, with

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1993_0818 : Un Moment, S.V.P.

I’ve always heard a high tenor voice singing a melodic lead over the top of this (perhaps in the style that Belgian composer Wim Mertens does so well)… It’s always crossed (a bit too dangerously) into Supertramp-kind of territory, with

/ One Comment

1992_1207 : Trocadèro No. 2

“Trocadero” (1 & 2) are a little bit of me, where Erik Satie and Vini Reilly (Durutti Column) might intersect. I recall composing this as a bedroom-musician and it was all about the loss of love at a time when

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1992_1207 : Trocadèro No. 1

“Trocadero” (1 & 2) are a little bit of me, where Erik Satie and Vini Reilly (Durutti Column) might intersect. I recall composing this as a bedroom-musician and it was all about the loss of love at a time when

/ One Comment

1992_1024 : Detained (in Dm, 8 bpm Mix)

(1988) Composer : Eric Scott A radically slowed-down version of the track (Detained) which appeared on my first release (“3 Mains”, Day 001), and in which the concept of pedal sustain and delay is explored by multiple pianos over the

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1992_1024 : Detained (in Dm, 8 bpm Mix)

(1988) Composer : Eric Scott A radically slowed-down version of the track (Detained) which appeared on my first release (“3 Mains”, Day 001), and in which the concept of pedal sustain and delay is explored by multiple pianos over the

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1991_0323 : M.L.B.W.

With its crying piano, this was to be a Singing-Fish type of instrumental; the wacky side to the album that would differentiate it from the “new age” market which I despised so much. m.l.b.w. stands for “my little Belgian wolf,”

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1991_0323 : M.L.B.W.

With its crying piano, this was to be a Singing-Fish type of instrumental; the wacky side to the album that would differentiate it from the “new age” market which I despised so much. m.l.b.w. stands for “my little Belgian wolf,”

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1990_1212 : Held (Cynthia Netherland’s Theme)

Another favorite piece from the 3 Mains project. I wrote it much later in the year 1990, as I was winding up the album and was finding that I could no longer escape piano music. It was also a reaction

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1990_1212 : Held (Cynthia Netherland’s Theme)

Another favorite piece from the 3 Mains project. I wrote it much later in the year 1990, as I was winding up the album and was finding that I could no longer escape piano music. It was also a reaction

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