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2011_0219 : Dirty Guitar Jam

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2008_0909 : Curtailed

Fragments of playfully jazzy hip-hop, colliding with a descending, feel-good bass line… Something I wrote quickly, while the sun disappeared behind the clouds that afternoon…

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2008_0909 : Curtailed

Fragments of playfully jazzy hip-hop, colliding with a descending, feel-good bass line… Something I wrote quickly, while the sun disappeared behind the clouds that afternoon…

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2008_0907 : Puss

A work in progress which confirmed my interest in writing some deeper, heavier, repetitively “circling” motifs, which could be given a later use in urgent espionage drama. “…Agent Reese flies propulsively through the air, catapulting past dozens of sniper rifles

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2008_0907 : Puss

A work in progress which confirmed my interest in writing some deeper, heavier, repetitively “circling” motifs, which could be given a later use in urgent espionage drama. “…Agent Reese flies propulsively through the air, catapulting past dozens of sniper rifles

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1994_0624 : Clair De Lunatic

(1994) Composer : Eric Scott This work emerged from the straightforward development of a musical theme, voiced through six MIDI electronic keyboards: the six voices all speak in unison before branching off into their separate rhythms and melodies– finally reuniting

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1994_0624 : Clair De Lunatic

(1994) Composer : Eric Scott This work emerged from the straightforward development of a musical theme, voiced through six MIDI electronic keyboards: the six voices all speak in unison before branching off into their separate rhythms and melodies– finally reuniting

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1994_0617 : Music From 3 Hats (in F)

(1988) Composer : Eric Scott This, my first work of process music, was a piece in which a set of chance operations determined the structure of the musical phrase, including the arrangement of the instruments to be used. The decisions

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1992_1207 : Trocadèro No. 2

“Trocadero” (1 & 2) are a little bit of me, where Erik Satie and Vini Reilly (Durutti Column) might intersect. I recall composing this as a bedroom-musician and it was all about the loss of love at a time when

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1992_1207 : Trocadèro No. 1

“Trocadero” (1 & 2) are a little bit of me, where Erik Satie and Vini Reilly (Durutti Column) might intersect. I recall composing this as a bedroom-musician and it was all about the loss of love at a time when

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1992_1024 : Detained (in Dm, 8 bpm Mix)

(1988) Composer : Eric Scott A radically slowed-down version of the track (Detained) which appeared on my first release (“3 Mains”, Day 001), and in which the concept of pedal sustain and delay is explored by multiple pianos over the

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1992_1024 : Detained (in Dm, 8 bpm Mix)

(1988) Composer : Eric Scott A radically slowed-down version of the track (Detained) which appeared on my first release (“3 Mains”, Day 001), and in which the concept of pedal sustain and delay is explored by multiple pianos over the

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1991_0401 : From Bombay With Love I

I’ve always had a tendency to write a lot more ‘middle-8’s, ‘intros’ and ‘outros’ before any real verses or choruses. This little segue ended up with various titles along the way… During the mid-late 80s, ‘From Baghdad With Love’ was

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1991_0401 : From Bombay With Love I

I’ve always had a tendency to write a lot more ‘middle-8’s, ‘intros’ and ‘outros’ before any real verses or choruses. This little segue ended up with various titles along the way… During the mid-late 80s, ‘From Baghdad With Love’ was

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