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2013_0511 : Nosedive Into The Future (Mix 2)

An ambient ethereal studio collaboration touted as Cowboy Joe vs. Julie Android which produced some dark and elegaic drums, bass and piano. I created the track in one afternoon, while pursuing an experiment to apply some ambient shimmers to some

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2013_0511 : Nosedive Into The Future (Mix 2)

An ambient ethereal studio collaboration touted as Cowboy Joe vs. Julie Android which produced some dark and elegaic drums, bass and piano. I created the track in one afternoon, while pursuing an experiment to apply some ambient shimmers to some

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2008_0909 : Hindleybrady

…My father told me to watch closely. A woman on the sec­ond floor walked out onto her bal­cony and Father pushed a but­ton and she was sud­denly squashed onto her rail­ing, slumped over, trapped by this enor­mous black thing. It

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2008_0909 : Hindleybrady

…My father told me to watch closely. A woman on the sec­ond floor walked out onto her bal­cony and Father pushed a but­ton and she was sud­denly squashed onto her rail­ing, slumped over, trapped by this enor­mous black thing. It

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1994_0612 : Musical Anamorphosis No. 1 (in Am)

(1991) Composer : Eric Scott This piece was derived from my work “Parc de Sceaux” (which appears on day 031 “50 Minutes From Paris”). Arranged here for six pianos, the piece was also lengthened from the original 2:30 to a

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1994_0612 : Musical Anamorphosis No. 1 (in Am)

(1991) Composer : Eric Scott This piece was derived from my work “Parc de Sceaux” (which appears on day 031 “50 Minutes From Paris”). Arranged here for six pianos, the piece was also lengthened from the original 2:30 to a

/ One Comment

1992_1024 : Detained (in Dm, 8 bpm Mix)

(1988) Composer : Eric Scott A radically slowed-down version of the track (Detained) which appeared on my first release (“3 Mains”, Day 001), and in which the concept of pedal sustain and delay is explored by multiple pianos over the

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1992_1024 : Detained (in Dm, 8 bpm Mix)

(1988) Composer : Eric Scott A radically slowed-down version of the track (Detained) which appeared on my first release (“3 Mains”, Day 001), and in which the concept of pedal sustain and delay is explored by multiple pianos over the

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1990_1212 : Held (Cynthia Netherland’s Theme)

Another favorite piece from the 3 Mains project. I wrote it much later in the year 1990, as I was winding up the album and was finding that I could no longer escape piano music. It was also a reaction

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1990_1212 : Held (Cynthia Netherland’s Theme)

Another favorite piece from the 3 Mains project. I wrote it much later in the year 1990, as I was winding up the album and was finding that I could no longer escape piano music. It was also a reaction

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1990_0714 : All-In Piano

(1990) Composer : Eric Scott A MIDI reinterpretation of the middle from “Once Is Not Enough” yielded a strangely chaotic and highly percussive piano track for 6 pianos.

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