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2013_0511 : Nosedive Into The Future (Mix 2)

2013_0511 : Nosedive Into The Future (Mix 2)

An ambient ethereal studio collaboration touted as Cowboy Joe vs. Julie Android which produced some dark and elegaic drums, bass and piano. I created the track in one afternoon, while pursuing an experiment to apply some ambient shimmers to some guitar and piano, and I wanted a track to play with. The guitar was the […]

2011_0219 : Dirty Guitar Jam

2008_0907 : Puss

A work in progress which confirmed my interest in writing some deeper, heavier, repetitively “circling” motifs, which could be given a later use in urgent espionage drama. “…Agent Reese flies propulsively through the air, catapulting past dozens of sniper rifles as he zones in upon his target, a thin, waif-like young thing who cuddles her […]

2006_0527 : Siennapods (Mix 1)

2006_0527 : Siennapods (Mix 1)

Another Krautrock influenced piece, replete with trippy Tony Levin stick-slapping effect… The chugging rhythm guitar makes it more proggy than I’d originally anticipated and took it in another direction… Buy / Download SIENNAPODS – $0.99  

1994_0624 : Clair De Lunatic

(1994) Composer : Eric Scott This work emerged from the straightforward development of a musical theme, voiced through six MIDI electronic keyboards: the six voices all speak in unison before branching off into their separate rhythms and melodies– finally reuniting on a single-chord recapitulation of the six-chord sequence. The descending “chain of suspensions” contained in […]

1994_0617 : Music From 3 Hats (in F)

(1988) Composer : Eric Scott This, my first work of process music, was a piece in which a set of chance operations determined the structure of the musical phrase, including the arrangement of the instruments to be used. The decisions made ultimately governed the tempo of the final piece. The only fixed criteria were that […]

1990_1212 : Held (Cynthia Netherland’s Theme)

Another favorite piece from the 3 Mains project. I wrote it much later in the year 1990, as I was winding up the album and was finding that I could no longer escape piano music. It was also a reaction to the Suzanne Vega song Fifty Fifty Chance. Marie was a fan of hers, and […]