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2013_0511 : Nosedive Into The Future (Mix 2)

2013_0511 : Nosedive Into The Future (Mix 2)

An ambient ethereal studio collaboration touted as Cowboy Joe vs. Julie Android which produced some dark and elegaic drums, bass and piano. I created the track in one afternoon, while pursuing an experiment to apply some ambient shimmers to some guitar and piano, and I wanted a track to play with. The guitar was the […]

1993_0818 : Un Moment, S.V.P.

I’ve always heard a high tenor voice singing a melodic lead over the top of this (perhaps in the style that Belgian composer Wim Mertens does so well)… It’s always crossed (a bit too dangerously) into Supertramp-kind of territory, with the easy transitions between major and minor 7ths in a few of the chord changes. […]

1992_1207 : Trocadèro No. 2

“Trocadero” (1 & 2) are a little bit of me, where Erik Satie and Vini Reilly (Durutti Column) might intersect. I recall composing this as a bedroom-musician and it was all about the loss of love at a time when something big was about to happen and something else big had just recently happened. It […]

1992_1207 : Trocadèro No. 1

“Trocadero” (1 & 2) are a little bit of me, where Erik Satie and Vini Reilly (Durutti Column) might intersect. I recall composing this as a bedroom-musician and it was all about the loss of love at a time when something big was about to happen and something else big had just recently happened. It […]

1992_1024 : Detained (in Dm, 8 bpm Mix)

(1988) Composer : Eric Scott A radically slowed-down version of the track (Detained) which appeared on my first release (“3 Mains”, Day 001), and in which the concept of pedal sustain and delay is explored by multiple pianos over the course of 16 minutes, instead of 3. The work was inspired, in equal parts, by […]

1991_0323 : M.L.B.W.

With its crying piano, this was to be a Singing-Fish type of instrumental; the wacky side to the album that would differentiate it from the “new age” market which I despised so much. m.l.b.w. stands for “my little Belgian wolf,” and has been the cause of much futile guessing on the part of my listeners. […]