The BUZZ at DAY for NIGHT creative digital studio begins at the portfolio… Check out our gallery of creative work, from video to web and original music.
She/He may be limited… in space…in experience…in money…in patience…in food…in sexual knowledge…in out of body experience…in good life experience…in bad times… she or he may be limited in time.
I ended up realizing a production goal that year. I digitized and organized my entire back catalogue that year, beginning with those tapes, and including all my 4-tracks, work tapes, DATs, Sound FX, Loops and Samples. Recording became an activity organized from a single hard drive, and with an incremental back up process takign place […]
This work was produced using two hand-held recorders. The difference in timing is accounted for by the variations in playback speeds on the individual recorders, when the two recordings are laid side by side. Additional variations were produced by varying the speaker’s location in relation to the two recorders.
It took 7 years to figure out how I wanted to make music again. What it boiled down to was, I wanted making music to be easy, and free of a lengthy accounting or “clean-up” phase. I also resented how I’d cornered myself using MIDI prior to 1993 — I was afraid of picking up […]
Between 1993 and 2000, I recorded every musical idea on a cassette tape using a dictaphone. I did my best to put dates on the cassettes when I’d finish them, although by the October of 2000, I had 88 C-90s, filled front and back with junk, musical snatches, amusing phone messages, personal journal entries, creative […]
Or the difficult way,but nobody really wants to do that. You adopt this stance Recognizing the commonsense/emotional component of doing somethingBeing kind, helpful, efficient. It serves a very logical side of the brain as well as a compassionate one, being efficient means being considerate to oneself; a simplification that makes life enjoyable. And it’s logical […]
I’m not a fan of doing anything twice. And if I can avoid exhausting personalities and just stay focused all day, then that’s a truly good thing. I guess it all works out.
For me personally, working digitally means that I have a tendency to organize and database certain types of work-in-progress, as a precursor to a lot of the work that I do. For example, in 2003, I finally worked out a relational system for organizing my output, allowing me to work even faster. The prime objective […]
So much goes into the art of narrative, not the least of which is the work. Like when the teachers said, “show your work” because you needed to prove that you knew what you were doing whenever you got the right answer. This unfolds many, many hours of “proof”. Where to begin? Thus far, I […]
I was faced with the proposal of doing a distillation of my work for a cd-rom, but in the end, I voted against it, because I simply did not want to present a reduction or derivation. So there’s a dual motive; most importantly, there’s the artistic one that says that an object is an object, […]
Being a digital artist is a term we hear more and more of. Perhaps it really describes more of an attitude – it’s about how we get organize our work to get digital results, rather than merely being a symptom of using a few of the tools; Photoshop and a drawing tablet alone do not […]
Consider each Catalogue number to be a self-contained thesis in the Post-Situationist-International (SI). Consider each Day to be a looser definition of time; much like the interpretative measurement of days in the biblical sense.
The integration of the Spectacle represents a point where the marketing messages of the corporate broadcast environment intersects and forms a grey zone with the detourned messages of independent thinkers…One might say that the Revolution will be televised. That’s definitely one way to look at it. The spectacle rejects the value of real experience, by […]
There’s also the global brain theory, which is really interesting. The global brain exists, and according to writer Peter Moraites, the next phase of collective consciousness is inevitable. It’s the next level we move on to, beyond the state that appears to be amassed with chaos and entropy. Today we are meta-particles, bumping into one […]
It’s one of many photos; a young man with a slight grin, holding up a sign he’s made with the following words on it, “Everything is connected in life. The point is to know it, and to understand it.” It’s contained in this beautiful quote, located in Gillian Wearing’s project “Signs That Say What You […]
What I mean by this, is that the only artifacts of early Situationism are the words…This is what a mostly-failed movement could offer, if not for the inclusion of Fluxus style lightness to divert and to subvert. No website that writes about Post-Situationism, without also “detourning” at the same time could be of any real […]
Subverting the public space of the web has been Day For Night’s m.o. since 1995, when it began to create NIGHTlinkRail, NoelCrane.com and numerous web presences for the show ALIAS. The objective of such diversion was to distract and amuse, to subvert and shake. Since, this has become absorbed into the “Integrated Spectacle” — […]
It is by coincidence that the use of a realist metaphor, that subverting the language of advertising can become a big part of how something like that gets presented. For example, we have Simon Patterson’s “The Great Bear”, joining the world’s public persona, engineers, comedians, royalty, planets and major philosophers on a tube map; the […]
I’ve always had this passion for fiction intertwining with reality, and blurring those edges – especially where these either make for a good dialogue about life and art. Perhaps it even fulfills a need I have; for irony to find a home in art. The effect of bringing lightness and humor to every experience now […]
Words, to describe pictures of people who use words and pictures, to describe places and things. The Situationists were a league of French political artists during the latter 20th century, whose slant on social reform took the form of a surreal post-Dadaist manipulation of word and text. Often, their détournements (diversions) involved the supplanting of […]
day 008, identity, day for night, eric scott
Current policy is to remove harmful or limiting adjectives from any stage of the creative, or music-making process. As I began to use language that felt free of terminology, labeling or artistic judgment, I found that I also felt happier about much of it. Instead, I was favoring a system of organizing music by its […]
Begin by putting all the ideas into a kind of bag. This restores a greater degree of equality between each idea. This, in turn, builds awareness of the effects (sometimes adverse) which labels can have upon our beliefs about what we create and do. So de-labeling at the beginning, that is a system that works […]
I have limited attention and like to work on only one project at a time. But often, I’m required to manage many more, and so my attention is continually being divided between what I feel I should be doing and what I prefer to be doing. So, each week at Day For Night, Thursday is […]