Created in 1991 by Eric Scott Day For Night is a marketing, design and consultative studio, for his boutique indie music label of the same name.
Eric Scott Day For Night is a self-taught sound sculptor whose source material chiefly includes original samples of guitar sounds, home-made and found mechanical noises, analog synth gear and environmental field recordings. He readily admits the studio as his second home. Since the 1980s he has accepted commissions and has collaborated with other like-minded artists, to create works now found in the Day For Night label discography and NIGHTblog.
A multi-faceted multimedia artist, Eric favors production and composition over live performance. “Programming and sampling are ideal for my love of the studio as a playground for sonic artistry,” he adds. He has also written appeals on the subject of artistic, multi-alias schizophrenia.
Key Musical Styles
- New Music / Modern Classical / Keyboards / Ensemble (Avant-garde jazz-classical)
- Avant-rock / Guitar / Textural / Instrumental
- Songs and Archival works (Indie pop nonsense)
Artistic / Professional Media for Work
Creative Director / Graphic Designer / Strategic, Usability, New Media Consultant / Motion Graphics / Web Developer / Author / Composer / Copywriter
>> Visit the Eric Scott Reference Microsite
Eric Scott – releases on Day For Night
[one_half]
- “3 Mains” ( 1991 | Day 001 )
- “The Performing Man” ( 1991 | Day 003 )
- “Tunes & Mythologies” ( 1992 | Day 005 )
- “14 Friends” ( 1991 | Day 006 )
- “The Inner Cinema” ( 2006 | Day 010 )
- “Reprise” ( 1992 | Day 011 )
- “Ghosts & Masks” ( 1991 | Day 013 )
- “Waterfalls” ( 1993 | Day 016 )
- “Music From The Park” ( 2007 | Day 020 )
- “Paris: A Musical Overpass” ( 1994 | Day 021 )
- “Postcards From The Elephant” ( 1994 | Day 023 )
- “Musical Anamorphosis No. 1” ( 1994 | Day 025 )
- “What If” ( 2007 | Day 026 )
- “Addictaphone : Vol 1 – 4” ( 1994 | Day 030 )
[/one_half]
[one_half_last]
- “50 Minutes From Paris” ( 1995 | Day 031 )
- “The Drowning Fish” ( 2004 | Day 033 )
- “Tensmith” ( 2014-Present | Day 036 )
- “Underscore” ( 2001 | Day 041 )
- “A Priori” ( 2005 | Day 043 )
- “Vigilant” ( 2006 | Day 046 )
- “Junction: Another Train Leaving” ( 2003 | Day 050)
- “Lullabies For Cats” ( 2002 | Day 051 )
- “Details From Within” ( 2006 | Day 053 )
- “Listine” ( 2006 | Day 056 )
- “ProcessCompositionProcessWorks” ( 2000 | Day 061 )
- “Portfolio” ( 1991-Present | Day 091 )
- “Inner Radio” ( 2014-Present | Day 092 )
- “The Everyday” ( 1991-Present | Day 093 }
- “Estate” ( 1991 – Present | Day 100 )
[/one_half_last]
Eric Scott Day For Night is a self-taught sound sculptor whose source material chiefly includes original samples of guitar sounds, home-made and found mechanical noises, analog synth gear and environmental field recordings. He readily admits the studio as his second home. Since the 1980s he has accepted commissions and has collaborated with other like-minded artists, to create works now found in the Day For Night label discography and NIGHTblog.A multi-faceted multimedia artist, Eric favors production and composition over live performance. “Programming and sampling are ideal for my love of the studio as a playground for sonic artistry,” he adds. He has also written appeals on the subject of artistic, multi-alias schizophrenia.
Eric Scott Day For Night is a self-taught sound sculptor whose source material chiefly includes original samples of guitar sounds, home-made and found mechanical noises, analog synth gear and environmental field recordings. He readily admits the studio as his second home. Since the 1980s he has accepted commissions and has collaborated with other like-minded artists, to create works now found in the Day For Night label discography and NIGHTblog.A multi-faceted multimedia artist, Eric favors production and composition over live performance. “Programming and sampling are ideal for my love of the studio as a playground for sonic artistry,” he adds. He has also written appeals on the subject of artistic, multi-alias schizophrenia.
Eric Scott Day For Night is a self-taught sound sculptor whose source material chiefly includes original samples of guitar sounds, home-made and found mechanical noises, analog synth gear and environmental field recordings. He readily admits the studio as his second home. Since the 1980s he has accepted commissions and has collaborated with other like-minded artists, to create works now found in the Day For Night label discography and NIGHTblog.A multi-faceted multimedia artist, Eric favors production and composition over live performance. “Programming and sampling are ideal for my love of the studio as a playground for sonic artistry,” he adds. He has also written appeals on the subject of artistic, multi-alias schizophrenia.
Eric Scott Day For Night is a self-taught sound sculptor whose source material chiefly includes original samples of guitar sounds, home-made and found mechanical noises, analog synth gear and environmental field recordings. He readily admits the studio as his second home. Since the 1980s he has accepted commissions and has collaborated with other like-minded artists, to create works now found in the Day For Night label discography and NIGHTblog.A multi-faceted multimedia artist, Eric favors production and composition over live performance. “Programming and sampling are ideal for my love of the studio as a playground for sonic artistry,” he adds. He has also written appeals on the subject of artistic, multi-alias schizophrenia.
Eric Scott Day For Night is a self-taught sound sculptor whose source material chiefly includes original samples of guitar sounds, home-made and found mechanical noises, analog synth gear and environmental field recordings. He readily admits the studio as his second home. Since the 1980s he has accepted commissions and has collaborated with other like-minded artists, to create works now found in the Day For Night label discography and NIGHTblog.A multi-faceted multimedia artist, Eric favors production and composition over live performance. “Programming and sampling are ideal for my love of the studio as a playground for sonic artistry,” he adds. He has also written appeals on the subject of artistic, multi-alias schizophrenia.