The BUZZ at DAY for NIGHT creative digital studio begins at the portfolio… Check out our gallery of creative work, from video to web and original music.
I wake up, and now suddenly, this is what’s on my mind. Why? Who knows. First of all, it feels important that we not get preoccupied with, or confused over, which medium (or even multi-medium) that we create or use. It’s too easy to blame the messenger, and in this case, you can’t blame television […]
“I’ll just say one word: ‘Icarus’. If you get it, great. If you don’t, that’s fine too. But you should probably read more,” chides the fictionally-embellished Tony Wilson (played by Steve Coogan, in Michael Winterbottom’s film 24 Hour Party People). It’s a sort of haughty moment of soliloquy; a response directly to the viewer. The statement […]
Can anyone please tell me – what is a good website supposed to look like…? Is it the Java applet sitting beneath an animated billboard? …A remote electronic marketplace? …A stack of paper that hovers (miraculously) in ether? …A virtual gallery? …Is a website like a textbook, rich with information but stylistically neutral?…or is it […]
Like Fluxus, Situationism created a substitute; something alternative to art, but which somehow replaced some need for it. It was based upon its own manifesto, and was meant to take place in, generally speaking, the public space – in the streets, and in people’s homes, instead of in museums and galleries. In this way, it […]
The degree of stress we have in our life is determined by the creations we resist, or identify ourselves with. Some work-throughs: Learn to recognize a need for attention, vs. a want for attention. Also, the ignorant may be charged a stupidity tax, especially when there is a surfeit of apathy. Today, be present and […]
I am continuously reminded that I always have a choice. I can become consumed by greed, attempting to make any thing as big as I can, or, I can create it deliberately on a scale, such that I can also still fully appreciate it. When I remember to create in relation to scale, and appreciation, […]
The goal in packaging electronic, minimalistic and ambient music seems less connected to the traditional aspects of advertising and marketing; up-selling a potential client on a new look or a model that is desirable or simply unattainable; but rather, to resonate a sympathetic chord with the listener; to hit them on a more abstract level, […]
OK. So “Operation Iraqi Freedom” starts up full force on our TVs on Tuesday, March 25. Only it’s got other names, on different net-works. CBS calls their spin on the war while NBC uses the president’s lingo, “Operation Iraqi Freedom.” Looks like someone’s sucking up a little. The nightly news on ABC actually features an […]
To stay underground, you have to live what you believe in, at the potential expense of passing on any new temptations or riches. The lure of the underground is that if you could avoid jumping upon a capitalist bandwagon during your entire professional life, and stick to your guns forever (or for as long as […]
I’m occasionally reminded of Tracey Emin becoming the subject of the 1999 Turner Prize nomination, and “My Bed” being notoriously at the center of attention at the Tate Britain, but I’ve always really dug her warmth, and when I got there and wandered through the rooms, taking in her video, her writings, quilts and drawings. […]
One might question whether I suffer from schizophrenia to trade under so many different names… Day For Night, Rhythm Factory, Found, Kunstfabriken, King FM, Bluebottles, NIGHTfonts, Salvador Dalek… Eric Scott? Yes, perhaps in the creative sense I have trouble resisting identities…or too much spare time to think. Perhaps (also) my reasoning originates with a desire […]
You see, all the stations, all the artists are my identities…They’re always an extension of me. No identities are fixed. All identities are the product of change. They flow, and are not meant to be rigid entities. So in the end, I can weave a good story, but I can also be a bit of […]
As an independent artist and designer, I have deliberately avoided some of the limitations, both of specialized areas of work and the obligations of commitment required in a design studio environment. I prefer to work alone, allowing myself more room to experiment and change, and to choose commissions of a wider diversity (from web creation […]
Three years later, I was on a rampage, trying to explain my website to the programmers I would interview, about helping me complete an algorithmic system for generating, on-the-fly, a NIGHTlink station (or “project”, like when you go into a derelict part of urban life where a tenement is referred to as “the Projects” because […]
Back when I worked for a studio, not many people understood me, and it was often hard taking credit – or getting credit – for my ideas, because what I was best at rarely materialized in the finished work. So I haven’t included much of that work in my portfolio – it just doesn’t seem […]
…I entered NIGHTlinkRail’s gateway and descended into the extranet that Tuesday, via Station 019. I had a handful of quarters and a haversack, filled with my camera, my steno pad, my walkman (listening to Paris: A Musical Overpass all the way here. What a blast to imagine actually being able to go there from here…or […]
We understand them: they’re regular, on time (mostly) and we like to ride them. It’s important that we learn to connect every new idea with at least one we already understand. That’s all.
…2 years earlier, I didn’t know much yet about the web. To better understand it, I wrote, conceived and designed this thing, and titled it an “Internet Journey-by-Rail.” I needed some inner clarification, while developing the abstract for the connected relationship between separate Days of the catalogue (for which I am presenting 100 total) and […]
The NightLinkRail model is really about the generation and spreading of ideas via the web. It’s a numbers game. The bigger it gets, the more plausible it looks; and the more people who see it, the more people will hopefully talk about it… “Hey, I’ve just seen the craziest thing…It’s just too deep to be […]
The real beef is this – because I keep on asking myself, “How might we view Situationism as most truly relevant today, when we are becoming further immune to Guy Debord’s definition of a society deceived by spectacle? His later admonitions had more to do with a full, but depressed appreciation for how society appears […]
NIGHTlinkRail, an experimental sitework launched in 1997 by DayForNight.com, is a network composed of 100 individual train stations. It parallels the online catalogue of the Day For Night musical imprint, in the form of a series of Railway Stations along what I’ve been referring to as “An Internet Journey-By-Rail.” After descending via escalator into the […]
16:20 Descent from street, onto platform16:20 Move past the accordionist.16:26 The train departs.16:31 Platform ambience16:35 Next train arrives, departs.16:44 Listen to amusing female voice intoning “Mind the gap”16:45 Board train16:53 Listen to tube chatter17:10 Get off train17:14 Embankment arrival
It’s an amazing world, and let’s do that; create what we prefer. Let us always create what we prefer. Let us create something of our own choosing, and allow ourselves the space around that creation, to become a “breathing zone”, for what we choose for ourselves. To support our higher selves — our truest version […]
(Even more than sex…) I fantasize about a tolerant, patient, open-minded society which can handle revolution and rejects the musical spectacle
Why is it important that others align with their higher self, to find this understanding? The goal of all life is, ultimately, to create happiness by meeting all the needs for survival, followed by the needs that lead to self actualization. Maslow identifies this with his hierarchy of needs, which ascends in 5 levels (physiological, […]