CDR | Download NIGHTfonts, an imprint of Day For Night, came into existence as part of a greater mission; to create and distribute new typefaces that read well with concern for the limitations of screen-based viewing. “Style” (Day 027), the first family of NIGHTfonts, consists of 6 Truetype font faces available for Mac or PC: NF […]
Art Direction / Print & CD Packaging Design Zebra Records, the brainchild of label owner Ricky Schultz, brought a new label re-launch campaign to the attention of Eric Scott was at the time working full-time as art director. The creative brief included updating the label’s brand and designing a unifying look for all the releases with […]
Art Direction / Print & CD Packaging Design “Rob Mullins’ liner notes inform us that this disc is his attempt to reflect the craziness of the modern world, and he musically captures that vibe without getting self indulgent or inaccessible […] on a disc that incorporates rhythms of the world (samba, Latin, African), Crusaders-influenced soul, […]
Art Direction / Print & CD Packaging Design Keyboardist David Garfield pays an upbeat tribute to friend and legendary session drummer Jeff Porcaro, joined by an impressive team of studio friends and session players, (in cluding Gregg Bissonette, Michael Boddicker, Larry Carlton, Lenny Castro, Bill Champlin, Vinnie Colaiuta, Nathan East, Peter Erskine, Donald Fagen, Steve […]
Art Direction / Print & CD Packaging Design Zebra Records, the brainchild of label owner Ricky Schultz, brought a new label re-launch campaign to the attention of Eric Scott was at the time working full-time as art director. The creative brief included updating the label’s brand and designing a unifying look for all the releases with […]
Art Direction / Print & CD Packaging Design Influenced by George Benson and Wes Montgomery, Zachary Breaux was a flexible guitarist who could handle soul-jazz, post-bop and hard bop as well as more commercial pop-jazz and NAC music. Though the jazzman only recorded a handful of albums – including 1992’s Groovin’ and 1994’s Laidback, both on NYC, […]
Art Direction / Print & CD Packaging Design Since this keyboardist left his high profile gig with the Rippingtons in the mid 90s, he’s paid some bills doing parts and arrangements for superstar producer David Foster, and Portmann’s own instincts as studio ringleader make No Truer Words a busy, diverse affair. One gets the sense that Portmann’s […]
CD | Download “Suck” (Day 024) evolved quickly – beyond the simple companion EP to “Push” it was intended to be – into a proper album on its own. Rhythm Factory’s ten new tracks are fueled by the darker Drum’n’Basscounterpanes of “Zikcfukc (Livin Large),” “Zaouk (Petropolis),” and “Zuq (Itch To Scratch)”… Meanwhile, anthemic basslines and guitars […]
CD | Download “Push” (Day 022) shows Rhythm Factory as a shadow of its former self, in this long-awaited reinvention, ditching its identity as protagonist of “journey musics,” and immersing itself deeper into a progressive, dreamhouse bath. Composer/ producer Eric Scott returns to the studio after a 4-year hiatus (…after singing mostly the equivalent of 95 separate […]
Art Direction / Print & CD Packaging Design In 1995, Sony Music International, in association withToto‘s representation Fitzgerald-Hartley, issued a powerful comeback campaign directive for the band; the first result was “Tambu“… Inspired by the band’s fascination in invented word-hybrid… “Something which could mean something brand new unto itself,” a cross between “taboo” and tamboe, an instrument […]
Art Direction / Print & CD Packaging Design In 1995, Sony Music International, in association with Toto‘s representation Fitzgerald-Hartley, issued a powerful comeback campaign directive for the band; the first result was “Tambu“… Inspired by the band’s fascination in invented word-hybrid… “Something which could mean something brand new unto itself,” a cross between “taboo” and thetamboe, an […]
Art Direction / Print & CD Packaging Design In 1995, Sony Music International, in association with Toto‘s representation Fitzgerald-Hartley, issued a powerful comeback campaign directive for the band; the first result was “Tambu“… Inspired by the band’s fascination in invented word-hybrid… “Something which could mean something brand new unto itself,” a cross between “taboo” and thetamboe, an […]
CD | Download “All Mine” (Day 014) – the proposed single from Rhythm Factory‘s “Play Pop!” – was mislaid as official catalogue product, while mastering decisions held up the latter title’s release in 1992. The single was shelved, and has only just recently seen the light of the millennium. Powered by deeply insistent, resonant grooves and […]
Art Direction / Print & CD Packaging Design In 1995, Sony Music International, in association with Toto‘s representation Fitzgerald-Hartley, issued a powerful comeback campaign directive for the band; the first result was “Tambu“… Inspired by the band’s fascination in invented word-hybrid… “Something which could mean something brand new unto itself,” a cross between “taboo” and tamboe, a […]
Art Direction / Print & CD Packaging Design In 1995, Sony Music International, in association with Toto‘s representation Fitzgerald-Hartley, issued a powerful comeback campaign directive for the band; the first result was “Tambu“… Inspired by the band’s fascination in invented word-hybrid… “Something which could mean something brand new unto itself,” a cross between “taboo” and tamboe, a […]
Brand Strategy, Art Direction, Design & Marketing Promotions Zebra Records’ artistic director Ricky Schultz commissioned a specialized “out of the box” approach to marketing his portfolio of A&R recruitment and jazz consultancy. The result: a tailored approach with customized rubberstamp, 3 inset postcards and Digipak®-style print package for a Portfolio/CV, hand-made in time for the […]
CD | Download The term anamorphosis refers to a form of distortion and perspective viewing. Consider the divergent methods of painter Hans Holbein and his painterly occlusions, which, when viewed upon a skewed angle, revealed a secondary visual agenda that was all his own. The release “Musical Anamorphosis No. 1” (Day 025) assembles five pieces composed […]
CD | Download Eric Scott describes “50 minutes from Paris” (Day 031) as “a collection of piano miniatures. At the time I was composing much of “Paris: A Musical Overpass,” my musical attitudes were to embrace methods of formal composition formerly unexplored by me…so I was researching listening to the entire Satie catalogue, looking for […]
CD | Download A thematically-varied cross-section from Eric Scott’s early instrumental music, “Postcards From The Elephant” (Day 023) has elicited equally colorful responses from its many listeners since its first release in 1994: “music for a Romanian beach festival,” and “cartoon music for the mind”. The composer adds “I only hoped it would shatter any illusions […]
CD | Download NIGHTlink Rail Station 021 – “Overpass” – is a stop along its newly-evolving underground network. And “Paris: A Musical Overpass” (Day 021) expresses a cinematic quality that creates vivid images of transition, through intervals-based chord sequences. From the opposing movements of the aggressive “Le 7eme,” to the orchestral ambience of “Gare De Lyon,” […]
CD | Download In the late 1980s, and on into the year 1990, Rhythm Factory remixed a total of 11 tracks by Eric Scott, as “Play House!” (Day 012). These tracks signaled, for Eric, a shift away from indie-pop songwriting, pushing him further into the realm of the underground club mix. Vocal takes originally recorded were stripped […]
Book (Words: Eric Scott) + CD In Day 030 “Addictions” first two volumes, “Simple words,” “Hazy memories,” Eric Scott joins verse and graphic images. Printed in 4.75″ square format, this very-limited release is housed in a double-cd jewel case, accompanied by a hand-picked selection of finished songs and recordings, most of which were the by-product of these […]
CD | Download The brooding “Waterfalls” (Day 016) is an odd diversion from a mostly instrumental legacy, but Eric Scott puts the record straight: “I’ve always been attracted to dark songs. I wrote this one to be slow, evem though I’m truly not into ballads. After having played all the instruments, sang all of the parts, […]
